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Exposure is for Composition Not Compensation

“There have been times where friends and friends of friends have asked me if I would take their pictures, and then backed-off after learning that I wanted money for it.”

Not too long ago, I was having a conversation with a good friend of mine about his art. The work he does is fantastic and looks absolutely effortless. In the past, he has drawn people’s requests and sold the finished products to them. Unfortunately, he has encountered plenty of people who want him to draw their requests for free or for “exposure.” Their response typically comes down to one of three main rationales:

  • It’s just a drawing. It should not be that expensive.
  • I am a friend, and friends don’t make friends pay.
  • I know someone else who would do it for me for free.

These kinds of responses are what makes me afraid of trying to put a price on my photography.

It’s just art.

Yes. It is art.

Aloe Plant and Shadow

Art has a high price for a reason. The artist takes time out of their day to create something for the consumer. It is a service that is provided to the consumer just like any other. Plumbers, car mechanics, wedding planners, taxi drivers, etc all provide services that the consumer must pay for. Whether its fixing a sink or painting a picture for a living room, a service must be paid for accordingly.

Regardless of the service provided, there are resources required to do the job. Time, labor, and materials are the three main resources used in providing a service. The time they spend on a free job could be spend on one that pays. The same goes for the labor that goes into the service. Materials cost money, and exposure does not pay for materials.

But you know me- doesn’t that mean I get a discount or something?

My grandmother’s favorite phrase is “it’s not what you know, it’s who you know.” Knowing someone who provides a service, such as an art, can have benefits; however, that highly depends on the person.

A Smiling Loerie

Personally, I would love to do shoots for everyone I know for free and just have a ball doing it. Unfortunately, doing so is a bad business practice. It leads to friends of friends wanting free images, and then their friends wanting free things, and eventually you have not been paid for any of your images or time.

I am the friend who will suggest that we get all dolled up and head out to take pictures for fun. That is a different scenario. In this case, I have asked people for their time in exchange for free images.

There have been times where friends and friends of friends have asked me if I would take their pictures, and then backed-off after learning that I wanted money for it. Taking back an offer after learning I am not doing something for free does hurt. I had thought they came to support me and my art, but instead just wanted free images.

I know someone else who would do this for me for free.

Great! Go ask them to do it then.

What is fun about this response is that the individuals who use this think that somehow the artist is going to be inspired to do work for free. Expecting something to be free and backing off when it is not means that there was no real interest in the skills of the artist. Letting the individual go to someone else is not bad for business because the individual was never intending to pay, even if they were satisfied.

Little Bird in a Big Tree

Truthfully, I am more invested in whether the consumer likes my work specifically than I am in the possible sales I can make. If I know that the consumer wants me to do their pictures because they like the work that I do, I would be willing to lower the price if they had a hard time making ends meet.

Putting a Price on Passion

Charging for something you would happily do for nothing is not an easy task. There is a lot of self-discipline and self-respect that is involved. You have to pick a price and stick to your guns. To pick a price, you must be truthful with yourself about how much you think your time is worth. Of course, looking to other photographers’ rates, especially in the area, can help to give ballpark guesses of what the work should be priced at.

Self-discipline and self-respect are two things I am not known for, which makes finding a price that much harder.

In the past, I would ask for $20 or $40 for the whole shoot, regardless of how long it was, and any images they wanted. With gas prices these days, that’s just gas money. Now that I am taking photography seriously, gas money will not cut it.

((While writing this section, I am having a very difficult time trying to stick to my guns and not sell myself short. Something tells me this is pricing issue is going to haunt every quote I give out.))

At this time, I have a vague sense of what I think I want to be paid for a shoot and a set number of images. Selling prints is a whole other story that I need to give some serious thought to.

Thank you for taking the time to read this. Writing this was a way for me to try and build that self-confidence. This post was to reaffirm my sense of worth as an artist, and hopefully shed light on a new perspective on art for a few readers.

If you are interested in a quote or in booking a shoot, buying prints, or so, feel free to email me at msbbphoto@gmail.com or send me a message on Instagram at @waitonemorepicture.

Leave a comment below and let me know your thoughts on this topic!

Featured

Reaching Out

“Why do you keep taking pictures of your hands? I don’t get it!”

2016 photo- Processed with VSCO with m5 preset

If there is one thing my photography is known for, it is the frequency at which my outstretched hand or arm appears in my images. I would take these so often in high school that my friends would call it “The Beebe Reach.” This “genre,” for lack of a better term, of my images can be traced back to 2015.

The hand on a yellow wall is an image I took back in 2016. I believe it was taken with my iPhone and edited with VSCO, which was the hot new aesthetic editing app at the time. To this day, I do not understand how to work it. I love minimalism, but VSCO takes it to the next level. I also still really like this image. It could use a touch up, but I mainly just love the colors here. This is one of the first images of my hand that I really fell in love with.

Of course, no one really understood it, nor did they really think it was that aesthetically pleasing either. Nonetheless, I kept on taking these pictures.

Where did this whole thing come from? What is the origin of The Beebe Reach?

Red Flowers ft. My Hand
@ Graaff-Reinet

This was not the product of my own imagination. 15-year old Michael was heavily influenced and inspired by one of his favorite YouTubers, Connor Franta, and his photography. (To this day, I still look to Connor for inspiration in various aspects of my life.) He would add his outstretched arm to images as a symbol. If I remember correctly, he mentioned that his arm represented him wanting to hold onto that moment.

15-year old me, wanting to live in such aesthetically pleasing moments, and began to try and recreate them. What I did not have at the time was a clue in the world on how to do it, let alone do it right.

Over time, I have started to understand what makes one of these hand pictures good or not.

What do these images mean to you?

To put it simply: nothing.

Cacti ft. My Hand
@ Graaff-Reinet

I think Connor’s meaning does resonate with these images, at least to an extent. I feel like I have stronger connections to those moments than I do with many of the other images I take; however, that could just be placebo or something.

Truthfully, they do not have much of an intentional meaning. If someone can get a meaningful message out of the image, then by all means that is it. Art is up to interpretation, so whatever you feel when you see it is good enough for me!

At the end of the day, I just think that my hand makes for a very aesthetically pleasing model. The colors of my hand can compliment scenes quite well. The different bones, ligaments (those are in there, right? I never took anatomy, I don’t know), and veins create really interesting shadows and highlights that create very interesting shapes. The way that the fingers move and curl create lovely shapes and, and even movement.

There can be so much character and emotion in just one hand.

Silhouette- recently posted on @waitonemorepicture on Instagram and Facebook

Thank you for reading my first blog post!

If you are not already, head on over to Instagram or Facebook and search @waitonemorepicture, and like/follow it! Your support on my social media means a lot to me!

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If you have questions or comments about anything, feel free to comment down below, send me a message on Instagram, or send me an email at msbbphoto@gmail.com.

Meet the Man Behind the Blog

What is Wait One More Picture? Who’s behind it?

Michael photographed by… himself

Hi there!

My name is Michael. At the time of me writing this, I am a 20-year old college student in New York; however, I am originally from southern New Jersey.

Currently, I am enrolled in Africa Media’s Wildlife and Travel Photography course. This course is a once-in-a-lifetime opportunity for me to learn more about one of my passions, as well as how to make it into a business. This blog is a product of that course.

Wait One More Picture is not a “I made this because I was told to” kind of a blog. I have had an interest in creating an online platform to showcase my photography and tell the stories behind them. This course just gave me the tools and understandings about how to create what I wanted!

Back in the day (well… 2015…), I created a Tumblr under the same name to showcase my photography. There were some nice ones in there, but most of the images were not of a high quality. Many were taken with an iPhone and edited with some free editing app that I had. By 2017, I was in my senior year of high school and taking my first photography course. I quickly learned to to actually edit images using Adobe Photoshop and I slowly stopped posting on Tumblr due to a lack of motivation. In December of 2018, I created Instagram and Facebook pages (@waitonemorepicture, go give it a follow!) to post my photography as to not clog up my personal Instagram. It was only more recently I began taking it more seriously.

So how will this be different from the dead Tumblr blog or the Instagram/Facebook pages?

The Tumblr, Instagram, and Facebook pages are all created to highlight an image, and are usually paired with some silly statement or quote related to the post. It is very flat and one-way in terms of engagement. Not only is that something I should really look into changing, but it gives this space that ability to have more depth.

Paired with images from different photo shoots or photographic adventures will be some context to some of my favorite images from that day. This could include anecdotes related to the images, things I have learned in the field or while editing, or possibly some facts about the subject I am shooting.

Blogging is a strange new world to me, but I am very excited to explore it!

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